This collection brims with the imaginative, informative and comic personal narratives of Hedley Twidle. Twidle brings a sense of lightness, play and comedy to subjects that are often dealt with in predictable or self-righteous ways.

It chronicles South Africa during the ‘second transition’ – one in which the foundations of the post-apartheid settlement are being shaken and questioned in all kinds of ways.

An essay collection searching through history, memory and literature to find glimmers of utopia. The collection is a book of elsewheres; in it, the author charts a journey to find other liveable places and spaces in a troubled world.

Whether embarking on a bizarre quest to find Cecil Rhodes’s missing nose (sliced off the bust of the Rhodes Memorial) or bike-packing the Scottish islands with a couple of squabbling anarchists; whether learning to surf (much too late) in the wild, freezing waters off the Cape Peninsula or navigating the fraught politics of a Buddhist retreat centre – the author explores forgotten utopias, intentional communities and islands of imagination with curiosity, hope and humour.

Threaded through the pieces in this collection are questions of friendship and human community, of environmental destruction and repair, of landscape and memory. Show Me the Place investigates the deep human desire to imagine social and environmental alternatives to what we take as normal or inevitable.

Unusable pasts; scandalous lives; political betrayal, confession and collaboration: reading narrative non-fiction across South Africa's unfinished transition. Over the last decades, South Africa has seen an outpouring of life writing and narrative non-fiction. Authors like Panashe Chigumadzi, Jacob Dlamini, Mark Gevisser, Pumla Gobodo-Madikizela, Antjie Krog, Sisonke Msimang, Njabulo Ndebele, Jonny Steinberg and Ivan Vladislavic; have produced a compelling and often controversial body of work, exploring the country's ongoing political and social transition with great ambition, texture and risk. Experiments with Truth is the first book-length account of non-fiction in South African literature. It reads the country's transition as refracted through an array of documentary modes that are simultaneously refashioned and blurred into each other: long-form analytic journalism and reportage; experiments in oral history, microhistory and archival reconstruction; life-writing, memoir and the essay. It traces the strange and ethically complex process by which real people, places and events are shuffled, patterned and plotted in long-form prose narrative. While holding in mind the imperatives of testimony and witness so important to the struggle for liberation and the Truth and Reconciliation Commission, the case studies here are increasingly drawn to a post-TRC aesthetic: works that engage with difficult, inappropriate or unusable elements of the past, and the unfinished project of social reconstruction in SouthAfrica. The author examines non-fictions that are speculative, formally innovative and sometimes experimental, rather than informational or narrowly journalistic; that explore difficult subjects like collaboration, complicity, confession - and have embedded within them their own reflections on the problems of narrating within a scene of unresolved difference. In this way, southern African materials are placed in a global context, and in dialogue with otherimportant non-fictional traditions that have emerged at moments of social rupture and transition. Hedley Twidle is a writer, teacher and researcher based in the English Department at the University of Cape Town. He specialises in twentieth-century, southern African and world literatures, as well as creative non-fiction and the environmental humanities. His essay collection, Firepool: Experiences in an Abnormal World, was published in 2017.